How can musicians from various disciplines learn to listen differently to play more meaningfully together?
Which music traditions/disciplines can naturally understand (and play more or less easily with) others and why?
How do nascent hybrid forms of music result from listening and playing differently?
The resultant research informs cross-listening and cross-performance studies.
Every [note] is a flower. |
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there are many words in different cultures for “notes” which contain various metaphors: |
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Her perde bir çiçek… |
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Every [fret (perde)] is a flower. |
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…نغمة ھي زھرة وكل |
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Every [melody (naghma)] is a flower. |
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ஒவ்வொரு ஸ்வராவும் ஒரு பூ… |
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Every [coloring itself in appealing sound (swara)] is a flower. |
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每一支音符都是一朵花 |
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Every [sound(yīn: resonance or voice)-symbol] is a flower. |
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sabilang kebyar punika sekar… |
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Every [flower (kebyar)] is a flower. |
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